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Arts of the Possible: Essays and Conversations By Adrienne Rich

Ebook Free Arts of the Possible: Essays and Conversations By Adrienne Rich

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Sales Rank: #866793 in Books
Published on: 2002-05-17
Released on: 2013-03-08
Original language: English
Number of items: 1
Dimensions: 8.30" h x .50" w x 5.50" l, .53 pounds
Binding: Paperback
190 pages

From Publishers Weekly
Rich's engaging new collection of essays reaffirms what Norton editors declared some 25 years ago: the "private poet" has gone public, "without sacrificing the complexity of subjective experience or the intensity of personal emotion." This certainly holds true for Rich the essayist as well, for she has firmly established herself as a major American poet and intellectual most concerned with the intersection of the public and private, the social and personal. The overarching goal of her intellectual project is to discover what's imaginatively possible in a cultural system debased by economic, social and political injustice, which, she suggests, are perhaps inherent in capitalism. While her powerful and frequently anthologized essay on "compulsory heterosexuality" is not included, the equally famous and influential "`When We Dead Awaken': Writing as Re-Vision" leads off the collection. This 1971 feminist tract brilliantly strategizes how women can re-examine literature and culture in order to resist patriarchal hegemony and give voice to their own experience. Other notable entries include "Blood, Bread, and Poetry: The Location of the Poet," which posits that "political struggle and spiritual continuity are meshed"; the title essay, a consideration of, among other issues, identity politics; and the spirited 1997 essay-letter that explains why she declined the National Medal for the Arts. As Rich herself acknowledges in the foreword, a few of the essays "may seem to belong to a bygone era." They provide, however, a prism through which to view Rich's thinking over the years, and they neatly demonstrate the transformations in her views over time. While the essays, "notes" and "conversations" may be read individually, what's perhaps most fascinating and rewarding about this collection is charting Rich's intellectual journey itself.

From Library Journal
The author of more than 16 volumes of poetry, plus four of prose, and winner of many awards, including a MacArthur and a Lannan, Rich needs no introduction. This prose collection begins with four "background" essays, first published in the 1970s and 1980s. The rest proceed more or less chronologically, tracing the poet's thinking about her art and her time and culminating in the fine title essay (which may have been the impetus behind the book). Rich here characterizes herself as a poet of the "oppositional imagination, meaning that I don't think my only argument is with myself." She has always been concerned with issues larger than the personal, though labels such as lesbian, feminist, and Marxist do as much to obscure as to illuminate the poet's points. She wants us to look at our lives and capitalist society and ask anew the kinds of questions Marx asked. As she inquires in the title essay, "What about the hunger no commodity can satisfy because it is not a hunger for something on a shelf?" Recommended for academic and public libraries. Mary Paumier Jones, Westminster P.L., CO
Copyright 2001 Reed Business Information, Inc.

From Booklist
To read poet Rich's sharp, clear, and uncompromising essays on gender, art, and social responsibility is to enter a place where the light is brighter than in everyday life, where sound is crisper, and the line between right and wrong holds firm, a mental space that enables readers to step back from the usual clamor and recognize just how vulgar and dishonest most public discourse truly is. Rich begins this powerful collection with several early and influential essays, including "Women and Honor: Some Notes on Lying" (1975), then works forward to "Why I Refused the National Medal of the Arts" (1997), a bracing explanation of her courageous protest against a government beholden to corporate powers and guilty of systematically undermining education and the arts, a course, Rich argues, that puts democracy at risk. Art, Rich asserts, is "our most powerful means of access to our own and another's experience and imaginative life," the realm where the private is made public and justice and compassion take eloquent form. Donna Seaman
Copyright © American Library Association. All rights reserved

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